The Dance Claimed Me
Pearl Primus (1919-1994) blazed onto the dance scene in 1943 with stunning works that incorporated social and racial protest into their dance aesthetic. In The Dance Claimed Me, Peggy and Murray Schwartz, friends and colleagues of Primus, offer an intimate perspective on her life and explore her influences on American culture, dance, and education. They trace Primus's path from her childhood in Port of Spain, Trinidad, through her rise as an influential international dancer, an early member of the New Dance Group (whose motto was qDance is a weaponq), and a pioneer in dance anthropology. Primus traveled extensively in the United States, Europe, Israel, the Caribbean, and Africa, and she played an important role in presenting authentic African dance to American audiences. She engendered controversy in both her private and professional lives, marrying a white Jewish man during a time of segregation and challenging black intellectuals who opposed the qprimitiveq in her choreography. Her political protests and mixed-race tours in the South triggered an FBI investigation, even as she was celebrated by dance critics and by contemporaries like Langston Hughes. For The Dance Claimed Me, the Schwartzes interviewed more than a hundred of Primus's family members, friends, and fellow artists, as well as other individuals to create a vivid portrayal of a life filled with passion, drama, determination, fearlessness, and brilliance.Heard, Marcia. aAsadata Dafora: African Concert Dance: Traditions in American Concert Dance.a PhD thesis. School of Education, New York University, 1999Heath, Gordon. Deep Are the Roots. Memoirs ofa Black Expatriate. Amherst, Mass.
| Title | : | The Dance Claimed Me |
| Author | : | Peggy Schwartz, Murray Schwartz |
| Publisher | : | Yale University Press - 2011 |
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